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LXXIV-LXXXIV – BIBLIOGRAPHY
BOOKS AND DISSERTATIONS
- Bacigalupo, Massimo. Forméd Trace. The Later Poetry of Ezra Pound. New York: Columbia University Press, 1980.
- Contino, Vittorugo. Ezra Pound in Italy, from the Pisan Cantos. Spots and Dots. Venezia: Ivancich, 1970.
- Kim, Yoon-Sik. “Gorilla Language: Pound’s Pictographing Technique in The Pisan Cantos.” Diss., Oklahoma State U, 1991. DAI 53.5 (Nov. 1992): 1518A. Free online.
- Farahbakhsh, Alireza and Zeinab Heidary Moghaddam. Dominant Themes in Ezra Pound’s 1930s and 1940s Cantos (Cantos XXXI-LXXXIV). Lambert Academic Publishing, 2010.
- MacLeish, Archibald. Poetry and Opinion: The Pisan Cantos of Ezra Pound. A Dialog on the Role of Poetry. Evanston: University of Illinois Press, 1950.
- Pound, Ezra. The Pisan Cantos. Annotated and with an introduction by Richard Sieburth. New York: New Directions, 2003.
- Sawler, Trevor Craig. “Hypertexting High Modernism: Ezra Pound’s Pisan Cantos as Hypertext.” Diss. U of New Brunswick, 2012.
- Shioji, Ursula. Ezra Pound’s Pisan Cantos and the Noh. Mainz: Mainzer Studien zur Amerikanistik. Bd. 39, 1997.
- Trevathan, Andy K. “At Home In Exile: Ezra Pound and the Poetics of Banishment.” Diss. U of Arkansas, 2015 [on Canto 74]. Free online.
- Wilhelm, James J. The Later Cantos of Ezra Pound. New York: Walker, 1977.
- Woodward, Anthony. Ezra Pound and the Pisan Cantos. Lawbook Co of Australasia, 1980.
ARTICLES IN JOURNALS
- Ackerman, Ondrea E. “The Periplum of the Pisan Cantos.” Paideuma: Modern and Contemporary Poetry and Poetics 38 (2011): 89-118.
- Bacigalupo, M. “Pound’s Pisan Cantos in Process.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 27.2-3 (1998): 93-106.
- Bacigalupo, M. “The Myth of the Revised Opening of the Pisan Cantos.” Notes & Queries 54.2 (2007): 169-71.
- Baumann, Walter. “Gerhart-with the Ständebuch of Sachs in Yr/Luggage.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 10.3 (1981): 589-94.
- Bishop, P. E. “‘And Will the World Take Up Its Course Again?’: Paranoia and Experience in the Pisan Cantos.” Texas Studies in Literature and Language 31.4 (1989): 536-53. (LXXIV)
- Brewer, Jonathan. “Practice, ‘Taught and the Not Taught,’ in the Pisan Cantos." Paideuma: A Journal Devoted to Ezra Pound Scholarship 23.2-3 (1994): 141-56.
- Bush Ronald and David Ten Eyck. “A Critical Edition of Ezra Pound’s Pisan Cantos: Problems and Solutions.” Textual Cultures. Texts, Contexts, Interpretation. 8.2 (2013): 121-140.
- Bush, Ronald. “Art Versus the Descent of the Iconoclasts: Cultural Memory in Ezra Pound’s Pisan Cantos.” Modernism/Modernity 14.1 (2007): 71-95.
- Bush, Ronald. “La Filosofica Famiglia: Cavalcanti, Avicenna, and the ‘Form’ of Ezra Pound’s Pisan Cantos.” Textual Practice 24.4 (2010): 669-705.
- Bush, Ronald. “Modernism, Fascism, and the Composition of Ezra Pound’s Pisan Cantos.” Modernism/Modernity 2.3 (1995): 69-87.
- Bush, Ronald. “Pound, Emerson, and Thoreau: The Pisan Cantos and the Politics of American Pastoral.” Paideuma: Studies in American and British Modernist Poetry 34.2-3 (2005): 271-92.
- Bush, Ronald. “Towards Pisa: Ezra Pound’s Roman ‘Emperors’.” Rivista di Letterature d’America XXIII.98-99 (2003) [2005]: 135-59.
- Bush, Ronald. “The Expatriate in Extremis: Caterina Sforza, Fascism, and Ezra Pound’s Pisan Cantos.” Rivista di Letterature d'America XXV.108-9 (2005) [2007]: 27-43.
- Bush, Ronald. “Poetic Metamorphosis: Ezra Pound’s Pisan Cantos and Prison Poetry.” Rivista di Letterature d'America XXIX.126-7 (2009) [2010]: 37-60.
- Bush, Ronald. “Between Religion and Science: Ezra Pound, Scotus Erigena and the Beginnings of a Twentieth-Century Paradise.” Rivista di Letterature d'America. XXXII.141/42 (2012): 95-124.
- Bush, Ronald. “Science, Epistemology, and Literature in Ezra Pound’s Objectivist Poetics (With a Glance at The New Physics, Louis Zukofsky, Aristotle, Neural Network Theory, and Sir Philip Sidney).” Literary Imagination 4.2 (2002): 191-210.
- Cox, Kenneth. “Bird-Hearted Equity Make Timber.” Agenda 27.2 (1989): 18-23.
- Coyle, Michael. “The Implications of Inclusion: Historical Narrative in Pound’s Canto LXXXVIII.” ELH 54.1 (1987): 215-30.
- Dennis, Helen M. “The Elusinian Mysteries as an Organising Principle in the Pisan Cantos.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 10.2 (1981): 273-82.
- Farahbakhsh, Alireza. “Paradise in the Inferno of Italian Rubble: Pessimism and Optimism in Ezra Pound’s Pisan Cantos.” AUMLA: Journal of the Australasian Universities Language and Literature Association 115 (2011): 51-67.
- Flory, W. “The ‘Tre Donne’ of the Pisan Cantos.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 5.1 (1976): 45-52.
- George, Anita. “The Pisan Mysteries: Sex, Death and Rebirth in the Pisan Cantos.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 25.1-2 (1996): 139-60.
- Gery, John. “‘A Certain Concordance of Size’: Pound’s Venice in the Pisan Cantos. Ezra Pound, Language and Persona. (Quaderni Di Palazzo Serra 15). Eds. Massimo Bacigalupo and William Pratt. Genoa: Università degli Studi di Genova, 2008. 278-299.
- Haas, Andrew. “Continuities of Racial Fascism: Louis Till and Black Marxism in the Pisan Cantos.” Journal of Foreign Languages and Cultures 5.1 (June 2021): 80-93. Free online and here and here.
- Hesse, E. “A Redefinition of the Problem of Mo in Canto LXXIV/430 in the Light of its Source.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 8.3 (1979): 407-8.
- Hutchins, Patricia. “Ezra Pound's Pisa.” The Southern Review (New Series) 2.1 (January 1966): 77-93.
- Kimpel, Ben D., and T. C. Duncan Eaves. “‘Major Form’ in Pound’s ‘Cantos’.” The Iowa Review 15.2 (1985): (LXXIV 56-58).
- King, Michael. “Ezra Pound at Pisa: An Interview with John L. Steele.” Texas Quarterly 21 (1978/4): 48-61.
- Larkin, Greg. “From Noman to Everyman: Chinese Characters in the Pisan Cantos.” Tamkang Review (Taipei) 11.3 (Spring 1981): 307-315.
- Litz, Walton. “‘Remember that I Have Remembered”: Traces of the Past in The Pisan Cantos.” Yale Review 73.3 (1986): 357-67.
- Lowe, James. “Pound’s Rendering of Abstraction in the Pisan Cantos.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 18.3 (1989): 137-46.
- MacAfee, Norman. “Pound, Till, The Cantos and Intolerance.” Journal of Poetics Research (May 2018). Free online.
- McDowell, Colin. “‘The Toys...at Auxerre’: Canto 77.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 12.1 (1983): 21-30.
- McNaughton, William. “New Light on the Pisan Cantos and Rock-Drill: Milton Friedman and Herman Kahn.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 16.3 (1987): 23-51.
- Moody, A. D “The Pisan Cantos: Making Cosmos in the Wreckage of Europe.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 11.1 (1982): 135-46.
- Oakes, L. An Explication of “Canto LXXV” by Ezra Pound. Wisconsin Studies in Contemporary Literature 5 2 (Summer 1964): 105-109.
- Pagnattaro, Marisa Anne. “The ‘Unwobbling Pivot’: Uncertainty and Process in the Pisan Cantos.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 24.1 (1995): 25-38.
- Parker, R. “Canto 75 vs “A”- 24. The Golden Handcuffs Review I.14 (2011): 270-285. Web. 11 Oct. 2014.
- Perloff, M. “Pound/Stevens: Whose Era?” New Literary History 13.3 (1982): 485-514.
- Preda, Roxana. “Of Birds, Composers, and Poets. Ezra Pound’s Memoir of Gerhart Münch in Canto LXXV.” Paideuma 42 (2015): 141-170.
- Rizzardi, Alfredo. “The Mask of Experience. A Chapter upon Ezra Pound’s Pisan Canto.” Studi Urbinati di Storia, Filosofia e Letteratura 35 (1960): 135-59.
- Schuldiner, Michael. “Pound’s Progress: The Pisan Cantos.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 4.1 (1975): 71-81.
- Tao, N. “‘the Law of Discourse’: Confucian Texts and Ideograms in the Pisan Cantos.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 30.1-2 (2001): 21-68.
- Wacker, Norman. “The Subject Repositioned/The Subject Repossessed: Authority and the Ethos of Performance in the Pisan Cantos.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 21.1-2 (1992): 81-100.
ARTICLES IN COLLECTIONS
- Bacigalupo, Massimo. “The Green World.” In Massimo Bacigalupo. Ezra Pound, Italy and The Cantos. Clemson: Clemson UP, 2020. 41-51.
- Bacigalupo, Massimo. “The Pisan Cantos in Progress.” In Massimo Bacigalupo. Ezra Pound, Italy and The Cantos. Clemson: Clemson UP, 2020. 197-210.
- Baumann, Walter. “‘… and with such French Politeness’: The French and France in The Pisan Cantos.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 223-234.
- Baumann, Walter. “-not of one bird but of many: Pound's Janequin.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 99-112.
- Bush, Ronald. “‘Quiet, not scornful’?: the Composition of The Pisan Cantos.” A Poem Containing History: Textual Studies in The Cantos. Ed. Larence Rainey. Ann Arbor: University of Michigan Press, 1997. 169-212.
- Bush, Ronald. “Excavating the Ideological Faultlines of Modernism: Editing Ezra Pound’s Cantos.” Representing Modernist Texts: Editing as Interpretation. Ed. George Bornstein. Ann Arbor: U of Michigan P, 1991. 67-98.
- Bush, Ron. “Confucius Erased. The Missing Ideograms in The Pisan Cantos.” Ezra Pound and China. Ed. Zhaoming Qian. Ann Arbor: U of Michigan Press, 2003. 163-192.
- Bush, Ron. “Ezra Pound’s Pisan Cantos. The Promise and the Limits of the Archive.” The New Ezra Pound Studies. Ed. Mark Byron. Cambridge: Cambridge UP, 2019. 40-56.
- Bush, Ronald. “‘Young Willows’ in the Pisan Cantos: ‘Light as the Branch of Kuanon.’” Modernism and the Orient. Ed. Zhaoming Qian. New Orleans: UNO Press, 2012. 185-213.
- Bush, Ronald. “Late Cantos LXXII-CXVII.” The Cambridge Companion to Ezra Pound. Ed. Ira Nadel. Cambridge: Cambridge UP, 1999. 109-138.
- Bush, Ronald. “Pisa.” Ezra Pound in Context. Ed. Ira Nadel. Cambridge: Cambridge UP. 261-73.
- Bush, Ronald. “Ezra Pound’s Fascist ‘Europa’: Toward the Pisan Cantos.” Europa! Europa? The Avant-Garde, Modernism and the Fate of a Continent. Eds. Sascha Bru et al. Berlin: De Gruyter, 2009. 210-28.
- Bush, Ronald. “The Pisan Cantos.” The Oxford Encyclopedia of American Literature. Ed. Jay Parini. Vol. III. New York: Oxford University Press, 2004. 415-18.
- Bush, Ronald. “The Pisan Cantos.” The Ezra Pound Encyclopedia. Eds. Stephen J. Adams and Demetres P. Tryphonopoulos. New York: Greenwood Press, 2005. 41-43.
- Byron, Mark. “A Defining Moment in Ezra Pound’s Cantos: Musical Scores and Literary Texts.” Literature and Music. Ed. Michael J. Meyer. Amsterdam: Rodopi, 2002. 157-182.
- Byron, Mark. “‘This thing that has a code + not a core’: The texts of Pound’s Pisan Cantos.” Ezra Pound and Referentiality. Ed. Hélène Aji. Paris: Presses de l'université de Paris-Sorbonne, 2003. 225-38.
- Cooper, John Xiros. “Music as Symbol and Structure in Pound’s Pisan Cantos and Eliot’s Four Quartets.” In Ezra Pound and Europe. Eds. Richard Taylor and Claus Melchior. Amsterdam: Rodopi, 1993.
- Eastman, Andrew. “The Epic of Voice: History and Orality in The Cantos.” Ezra Pound and Referentiality. Ed. Hélène Aji. Paris: Presses de l'Université de Paris-Sorbonne, 2003. 59-68.
- Faherty, Michael. “Pound’s Lute: The West African Voice of the Gesere in The Pisan Cantos.” Ezra Pound, Language and Persona. (Quaderni Di Palazzo Serra 15). Eds. Massimo Bacigalupo and William Pratt. Genoa: Università degli Studi di Genova, 2008. 221-233.
- Ferreccio, Giuliana. “Ritual and Performance in The Pisan Cantos and H.D.’s Trilogy.” Cross-Cultural Ezra Pound. Eds. John Gery, Walter Baumann, and David McKnight. Liverpool: Liverpool UP, 2021. 173–86.
- Gery, John. “‘A Certain Concordance of Size’: Pound’s Venice in the Pisan Cantos. Ezra Pound, Language and Persona. (Quaderni Di Palazzo Serra 15). Eds. Massimo Bacigalupo and William Pratt. Genoa: Università degli Studi di Genova, 2008. 278-299.
- Kiely, Kevin. “The Poet Unmasked in The Pisan Cantos.” Ezra Pound, Language and Persona. (Quaderni Di Palazzo Serra 15). Eds. Massimo Bacigalupo and William Pratt. Genoa: Università degli Studi di Genova, 2008. 347-356.
- Kraus, James. “Ezra Pound’s Catholic Prayer Book: Pro Patria et Deo.” Ezra Pound and Referentiality. Ed. Hélène Aji. Paris: Presses de l'Université de Paris-Sorbonne, 2003. 239-48.
- Madge, Charles. “The Ellipse in the Pisan Cantos.” Ezra Pound: A Collection of Essays to be Presented to Ezra Pound on His 65th Birthday. Ed. Peter Russell. London and New York: Neville, 1950. 119-133.
- Moody, David A. “The Pisan Cantos of Ezra Pound.” A Companion to Twentieth-century Poetry in English. Ed. Neil Roberts. Oxford: Blackwell, 2001. 469-80.
- Rinaldi, Andrea. “Caged verses: some new notes on the politics of The Pisan Cantos.” Vegueta. Anuario de la Facultad de Geografía e Historia 19 (2019): 381-401. Free online and here and here and here and here.
- Welch, Milton L. “‘Till Was Hung Yesterday’: Louis Till as Lynching Topos in the Pisan Cantos.” Ezra Pound and Education. Eds. Steven Yao and Michael Coyle. Orono: The National Poetry Foundation, 2012. 163-182.
BOOK CHAPTERS AND SECTIONS
- Alexander, Michael. “The Pisan Cantos.” The Poetic Achievement of Ezra Pound. London: Faber, 1979. 192-205.
- Carpenter, Humphrey. A Serious Character. The Life of Ezra Pound. New York: Delta, 1988. [Sections: 670-680; 687-689; 787-792; 798-799; 813-815.]
- Clinton, Alan Ramon. Mechanical Occult: Automatism, Modernism, and the Specter of Politics. Peter Lang, 2004 [4. Two Cages: Second Thoughts on Pisa, 113-138].
- Coyle, Michael. “Unpacking Münch’s Satchel: Musical Notation and the Defiance of Pisan Cantos.” In Ezra Pound, Popular Genres and the Discourse of Culture. University Park: The Pennsylvania State UP, 1995. 149-182.
- Davie, Donald. Ezra Pound. The Poet as Sculptor. Oxford: Oxford UP, 1964. 168-81.
- Dennis, Helen. Five Structural Principles in The Pisan Cantos. In A New Approach to the Poetry of Ezra Pound Through the Medieval Provençal Aspect. Lewiston: The Edwin Mellen Pres, 1996. 375-447.
- Flory, Wendy. Ezra Pound and The Cantos: A Record of Struggle. New Haven: Yale UP, 1980. [Section: 178-231.]
- Hatlen, Burton. “Pound’s Pisan Cantos and the Origins of Projective Verse.” Ezra Pound and Poetic Influence. Ed. Helen Dennis. Amsterdam: Rodopi, 2000. 130-154.
- Kenner, Hugh. 1972. The Pound Era. London: Faber, 1975. [Section: 474-495.]
- Lan, Feng. Ezra Pound and Confucianism. Remaking Humanism in the Face of Modernity. Toronto: U. of Toronto Press, 2005.
- Liebregts, Peter. “The Pisan Cantos. (LXXIV-LXXXIV).” Ezra Pound and Neoplatonism. Madison: Fairleigh Dickinson UP, 2004. 249-290.
- Nicholls, Peter. Ezra Pound: Politics, Economics and Writing. A Study of The Cantos. London: Macmillan, 1984. 161-181.
- Rabaté, J. M. Language, Sexuality and Ideology in Ezra Pound’s Cantos. London: Macmillan, 1986. 141-182.
- Read, Forrest. ’76: One World and the Cantos of Ezra Pound. Chapel Hill: University of North Carolina Press, 1981. 308-46.
- Selby, Nick. “Memory, Forgetting and American Poetics in Ezra Pound's The Pisan Cantos.'” Memory, History and Critique. Cambridge: MIT Press. 120-140. CD ROM.
- Selby, Nick. “‘To Dream the Republic.’ The Pisan Cantos and the Ideal City.” Poetics of Loss in The Cantos of Ezra Pound. From Modernism to Fascism. Lewiston: Edwin Meller Press, 2006. 187-222.
- Stock, Noel. “The Pisan Cantos 1948.” Reading the Cantos. A Study of Meaning in Ezra Pound. New York: Pantheon Books, 1966. 72-90.
- Surette, L. “Pisa.” A Light from Eleusis. A Study of Ezra Pound’s Cantos. Oxford: Oxford UP, 1979. 173-223.
- Wilhelm, J. J. Ezra Pound The Tragic Years. 1925-1972. University Park: The Pennsylvania State UP, 1994. 223-48.
DIGITAL RESOURCES
- Patton, Christopher. “Navigating the Pisan Cantos (I).” The Art of Compost, April 26, 2018. Free online.
- Patton, Christopher. “Navigating the Pisan Cantos (II).” The Art of Compost, May 4, 2018. Free online.