XLV – REFERENCES
WORKS CITED
- Araujo, Anderson. A Companion to Ezra Pound’s Guide to Kulchur. Clemson: Clemson UP, 2018.
- Aristotle. Politics. London: Heinemann, 1932. Internet Archive.
- Cicero, Marcus Tullius. De officiis. [On Duties]. Trans. Walter Miller. Cambridge Mass.: Harvard UP, 1913. Perseus.
- Davie, Donald. “The Poet as Sculptor.” New Approaches to Ezra Pound. Ed. Eva Hesse. London: Faber, 1969. 198-214.
- De Rachewiltz, Mary. “Canto XLV.” The Fifth Decad of Cantos. Rimini: Raffaeli, 2006.
- DeKruif, Paul. Hunger Fighters. New York: Harcourt, Brace and Company, 1928. Internet Archive.
- Eastman, Barbara. Ezra Pound's Cantos: the Story of the Text 1948-1975. Orono: Maine: National Poetry Foundation, 1979.
- Ferreccio, Giuliana. “‘Mermaids, that Carving’: Ezra Pound and Italian Art.” The Edinburgh Companion to Ezra Pound and the Arts. Ed. Roxana Preda. Edinburgh: Edinburgh UP, 2019. 9-37.
- Frazer, James, George. “Adonis in Cyprus.” In The Golden Bough. Abridged 3rd. edition: London: Macmillan, 1922. 329-33. Wikisource.
- Henderson, Archie. ‘I Cease not to Yowl’ Re-Annotated. New Notes on the Pound/ Agresti Correspondence. Houston Tx.: 2009.
- Hesse, Eva, ed. Ezra Pound: Usura-Cantos XLV und LI. Texte, Entwürfe und Fragmente. Zürich: Arche Verlag, 1985.
- Jefferson, Thomas. Letter to John Taylor, 8 May 1816. The Writings of Thomas Jefferson. Eds. Andrew Lipscomb and Albert Ellery Bergh. Memorial Edition. Washington DC.: The Thomas Jefferson Memorial Association, 1903-4. 20 vols. 15: 17-23. (18).
- Kenner, Hugh. The Pound Era. London: Faber, 1972.
- Lane, G. Barbara. Hans Memling Master Painter in Fifteenth Century Bruges. Turnhout, Belgium: Harvey Miller Publishers, 2009.
- Liebregts, Peter. “Ezra Pound, Aristotle and Ancient Greek Economics.” A Companion to Ezra Pound's Economics. Eds. Ralf Lüfter and Roxana Preda. Nordhausen: Traugott Bautz, 2019. 161-82.
- Marsh, Alec. “Pound’s Agrarian Bent: Physiocracy and the Ideological Origins of the Wheat in Our Bread Party.” A Companion to Ezra Pound's Economics. Eds. Ralf Lüfter and Roxana Preda. Nordhausen: Traugott Bautz, 2019. 207-34.
- Minière, Claude. “Ezra Pound fait le tour du monde. Lumières françaises / USA / Chine / Europe.” L’Infini 103 (Printemps 2008): 88.
- Ozturk, Anthony. “The Image as Inter-Text in Canto XLV.” Aldington, Pound, and the Imagists at Brunnenburg. Eds. Daniel Kempton and H.R. Stoneback. Les Saintes-Maries-de-la-Mer: Grtegau, 2012. 71-82.
- Pound, Ezra. “Canto – With Usura.” Prosperity IV.3 (February 1936): 44. In P&P VII: 21-22. The Cantos Project.
- Pound, Ezra. “I Cease Not to Yowl.” Ezra Pound's Letters To Olivia Rossetti Agresti. Eds. D. Tryphonopoulos and Leon Surette. Urbana & Chicago: U of Illinois P, 1998.
- Pound, Ezra. “Paris Letter.” The Dial LXXIV (1 January 1923): 85-90. In Poetry & Prose IV: 277-8.
- Pound, Ezra. A Memoir of Gaudier-Brzeska. [1916]. New York: New Directions, 1970.
- Pound, Ezra. ABC of Reading. [1934]. New York: New Directions, 1987.
- Pound, Ezra. Ezra Pound’s Economic Correspondence, 1933-1940. Ed. Roxana Preda. Gainesville: U of Florida P, 2007.
- Pound, Ezra. Ezra Pound’s Poetry and Prose. Contributions to Periodicals. 11 vols. Eds. Lea Baechler, A. Walton Litz and James Longenbach. New York: Garland, 1991.
- Pound, Ezra. Guide to Kulchur. New York: New Directions, 1971.
- Pound, Ezra. Letters to Ibbotson, 1935-1952. Eds. Vittoria I. Mondolfo and Margaret Hurley. Orono: National Poetry Foundation, 1979.
- Pound, Ezra. Review of Stones of Rimini, by Adrian Stokes. Criterion, XIII. 52 (April 1934): 495-7. In P&P VI: 159-60.
- Pound, Ezra. Selected Cantos of Ezra Pound. London: Faber, 1967.
- Pound, Ezra. Selected Poems. New York: New Directions, 1957.
- Pound, Ezra. The Cantos. New York: New Directions, 1998.
- Pound, Ezra. The Selected Letters of Ezra Pound 1907-1941. [1950]. Ed. D. D. Paige. New York: New Directions, 1971.
- Pound, Ezra. The Spirit of Romance. [1911, 1929]. With an introduction by Richard Sieburth. New York: New Directions, 2005.
- Pound, Ezra. Three Cantos II. [Ur-Canto II.] Lustra. New York: Knopf, 1917. The Cantos Project.
- Redman, Tim. “Pound’s Library: A Preliminary Catalog.” Paideuma 15.2/3 (Fall & Winter 1986): 213-237.
- Romer, Stephen. “‘Templum Aedificavit’: Ezra Pound and Architecture.” The Edinburgh Companion to Ezra Pound and the Arts. Ed. Roxana Preda. Edinburgh: Edinburgh UP, 2019. 38-60.
- Ruskin, John. Stones of Venice. 3 vols. [London: Elder & Co., 1851-3]. Boston: D. Estes & Co, 1911. Internet Archive.
- Sacerdotesse e danzatrici nelle religioni antiche. Ed. Edoardo Tinto. Biblioteca dei curiosi, no.51. 1930. The Cantos Project.
- Sieburth, Richard. “Notes: Canto XLV.” Ezra Pound New Selected Poems and Translations. Ed. Richard Sieburth. New York: New Directions, 2010. 322-3.
- Surette, Leon. A Light from Eleusis. A Study of Ezra Pound’s Cantos. Oxford: Clarendon Press, 1979.
- Twitchell, Jeffrey. “Art and the Spirit of Capitalism: Iconography and History in the Usura Canto.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 19.3 (1990): 7-31.
- Vasari, Giorgio. “Sandro Botticelli.” In Lives of the Most Eminent Painters, Sculptors and Architects. 10 vols. London: Macmillan, 1912-5. 3: 247-55. Internet Archive.
- Villon François. “Ballade.” [que Villon feit a la requeste de sa mère, pour prier Nostre Dame]. Le Grand Testament. [ca. 1461]. In Oeuvres completes de François Villon. Eds. Bernard de la Monnoie and M. Pierre Jannet. Paris: Lemerre, 1876. Wikisource.
- Witemeyer, Hugh. “Ruskin and the Signed Capital in Canto 45.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 4.1 (1975): 85-7.
- Zobi, Antonio. Storia civile della Toscana dal MDCCXXXVII al MDCCCXLVIII. Firenze: Molini 1850. Google Books.
DIGITAL RESOURCES
- “Azurite.” Pigments Through the Ages. webexhibits.org.
- “Calumny of Apelles.” Wikipedia.
- “Church of Santo Maria dei Miracoli.” Savevenice.org.
- “Emmer.” Wikipedia.
- “Farro.” Wikipedia.
- “Ultramarine.” Pigments Through the Ages. Webexhibits.org.
- “Usury.” Catholic Encyclopedia.
- HomeOwners Alliance. “Leasehold v Freehold – what’s the difference?” hoa.org.uk.
ILLUSTRATIONS
- “Emmer wheat.” Doves Farm website.
- “Signed column.” Verona: San Zeno. Photo by A. Preda, 2016.
- Bellini, Giovanni. Dead Christ Supported by Angels. [Pietà]. Tempera on panel, ca. 1470-74. Rimini: Museo della Città. Wikimedia Commons.
- Botticelli, Sandro. Calumny of Apelles. Tempera on panel, ca 1497. Florence: Uffizi Gallery. Wikimedia Commons.
- De Predis, Ambrogio. Portrait of Maximilian I. Oak, 1502. Vienna: Kunsthistorisches Museum. Wikimedia Commons.
- Della Francesca, Piero. Sigismondo Malatesta kneeling in front of St. Sigismund. Fresco, ca. 1450. Rimini: Tempio Malatestiano.
- Di Pietro Guido (Fra Angelico.) Annunciation of Cortona. Tempera on panel, 1433-34. Cortona: Museo Diocesano. Wikimedia Commons.
- Duccio, Agostino di. Angels. Rimini: Tempio Malatestiano.
- Duccio, Agostino di. Diana, goddess of the moon. Marble bas-relief. Tempio Malatestiano.
- Lombardo, Pietro. Plinth. Marble, ca. 1484 Venice: Sta. Maria dei Miracoli.
- Mantegna, Andrea. “The Court of Gonzaga.” Fresco, 1465-74. Mantua: Ducal Palace, Camera degli sposi. Web Gallery of Art. Wga.hu.
- Memling, Hans. “Salome.” [Detail of the left panel]. St. John Altarpiece. Oil on wood, 1474-9. Bruges: St. John Hospital. Wikimedia Commons.
- Pollaiuolo, Antonio di. Portrait of a Young Lady. Oil on wood, ca. 1465. Berlin: Gemäldegallerie. Wikimedia Commons.