XLV – REFERENCES

 

Memling altarpiece

 

WORKS CITED

  1. Araujo, Anderson. A Companion to Ezra Pound’s Guide to Kulchur. Clemson: Clemson UP, 2018.
  2. Aristotle. Politics. London: Heinemann, 1932. Internet Archive.
  3. Cicero, Marcus Tullius. De officiis. [On Duties]. Trans. Walter Miller. Cambridge Mass.: Harvard UP, 1913. Perseus.
  4. Davie, Donald. “The Poet as Sculptor.” New Approaches to Ezra Pound. Ed. Eva Hesse. London: Faber, 1969. 198-214.
  5. De Rachewiltz, Mary. “Canto XLV.” The Fifth Decad of Cantos. Rimini: Raffaeli, 2006. 
  6. DeKruif, Paul. Hunger Fighters. New York: Harcourt, Brace and Company, 1928. Internet Archive. 
  7. Eastman, Barbara. Ezra Pound's Cantos: the Story of the Text 1948-1975. Orono: Maine: National Poetry Foundation, 1979.
  8. Ferreccio, Giuliana. “‘Mermaids, that Carving’: Ezra Pound and Italian Art.” The Edinburgh Companion to Ezra Pound and the Arts. Ed. Roxana Preda. Edinburgh: Edinburgh UP, 2019. 9-37. 
  9. Frazer, James, George. “Adonis in Cyprus.” In The Golden Bough. Abridged 3rd. edition: London: Macmillan, 1922. 329-33. Wikisource.
  10. Henderson, Archie. ‘I Cease not to Yowl’ Re-Annotated. New Notes on the Pound/ Agresti Correspondence. Houston Tx.: 2009.
  11. Hesse, Eva, ed. Ezra Pound: Usura-Cantos XLV und LI. Texte, Entwürfe und Fragmente. Zürich: Arche Verlag, 1985.
  12. Jefferson, Thomas. Letter to John Taylor, 8 May 1816. The Writings of Thomas Jefferson. Eds. Andrew Lipscomb and Albert Ellery Bergh. Memorial Edition. Washington DC.: The Thomas Jefferson Memorial Association, 1903-4. 20 vols. 15: 17-23. (18).
  13. Kenner, Hugh. The Pound Era. London: Faber, 1972. 
  14. Lane, G. Barbara. Hans Memling Master Painter in Fifteenth Century Bruges. Turnhout, Belgium: Harvey Miller Publishers, 2009.
  15. Liebregts, Peter. “Ezra Pound, Aristotle and Ancient Greek Economics.” A Companion to Ezra Pound's Economics. Eds. Ralf Lüfter and Roxana Preda. Nordhausen: Traugott Bautz, 2019. 161-82. 
  16. Marsh, Alec. “Pound’s Agrarian Bent: Physiocracy and the Ideological Origins of the Wheat in Our Bread Party.” A Companion to Ezra Pound's Economics. Eds. Ralf Lüfter and Roxana Preda. Nordhausen: Traugott Bautz, 2019. 207-34.
  17. Minière, Claude. “Ezra Pound fait le tour du monde. Lumières françaises / USA / Chine / Europe.” L’Infini 103 (Printemps 2008): 88.
  18. Ozturk, Anthony.  “The Image as Inter-Text in Canto XLV.” Aldington, Pound, and the Imagists at Brunnenburg. Eds. Daniel Kempton and H.R. Stoneback.  Les Saintes-Maries-de-la-Mer: Grtegau, 2012. 71-82.
  19. Pound, Ezra. “Canto – With Usura.” Prosperity IV.3 (February 1936): 44. In P&P VII: 21-22. The Cantos Project.
  20. Pound, Ezra. “I Cease Not to Yowl.” Ezra Pound's Letters To Olivia Rossetti Agresti. Eds. D. Tryphonopoulos and Leon Surette. Urbana & Chicago: U of Illinois P, 1998.
  21. Pound, Ezra. “Paris Letter.” The Dial LXXIV (1 January 1923): 85-90. In Poetry & Prose IV: 277-8.
  22. Pound, Ezra. A Memoir of Gaudier-Brzeska. [1916]. New York: New Directions, 1970.
  23. Pound, Ezra. ABC of Reading. [1934]. New York: New Directions, 1987.
  24. Pound, Ezra. Ezra Pound’s Economic Correspondence, 1933-1940. Ed. Roxana Preda. Gainesville: U of Florida P, 2007.
  25. Pound, Ezra. Ezra Pound’s Poetry and Prose. Contributions to Periodicals. 11 vols. Eds. Lea Baechler, A. Walton Litz and James Longenbach. New York: Garland, 1991.
  26. Pound, Ezra. Guide to Kulchur. New York: New Directions, 1971.
  27. Pound, Ezra. Letters to Ibbotson, 1935-1952. Eds. Vittoria I. Mondolfo and Margaret Hurley. Orono: National Poetry Foundation, 1979.
  28. Pound, Ezra. Review of Stones of Rimini, by Adrian Stokes. Criterion, XIII. 52 (April 1934): 495-7. In P&P VI: 159-60.
  29. Pound, Ezra. Selected Cantos of Ezra Pound. London: Faber, 1967.
  30. Pound, Ezra. Selected Poems. New York: New Directions, 1957.
  31. Pound, Ezra. The Cantos. New York: New Directions, 1998.
  32. Pound, Ezra. The Selected Letters of Ezra Pound 1907-1941. [1950]. Ed. D. D. Paige. New York: New Directions, 1971.
  33. Pound, Ezra. The Spirit of Romance. [1911, 1929]. With an introduction by Richard Sieburth. New York: New Directions, 2005.
  34. Pound, Ezra. Three Cantos II. [Ur-Canto II.] Lustra. New York: Knopf, 1917. The Cantos Project.
  35. Redman, Tim. “Pound’s Library: A Preliminary Catalog.” Paideuma 15.2/3 (Fall & Winter 1986): 213-237.
  36. Romer, Stephen. “‘Templum Aedificavit’: Ezra Pound and Architecture.” The Edinburgh Companion to Ezra Pound and the Arts. Ed. Roxana Preda. Edinburgh: Edinburgh UP, 2019. 38-60.
  37. Ruskin, John. Stones of Venice. 3 vols. [London: Elder & Co., 1851-3]. Boston: D. Estes & Co, 1911. Internet Archive.
  38. Sacerdotesse e danzatrici nelle religioni antiche. Ed. Edoardo Tinto. Biblioteca dei curiosi, no.51. 1930. The Cantos Project. 
  39. Sieburth, Richard. “Notes: Canto XLV.” Ezra Pound New Selected Poems and Translations. Ed. Richard Sieburth. New York: New Directions, 2010. 322-3.
  40. Surette, Leon. A Light from Eleusis. A Study of Ezra Pound’s Cantos. Oxford: Clarendon Press, 1979. 
  41. Twitchell, Jeffrey. “Art and the Spirit of Capitalism: Iconography and History in the Usura Canto.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 19.3 (1990): 7-31. 
  42. Vasari, Giorgio. “Sandro Botticelli.” In Lives of the Most Eminent Painters, Sculptors and Architects. 10 vols. London: Macmillan, 1912-5. 3: 247-55. Internet Archive.
  43. Villon François. “Ballade.” [que Villon feit a la requeste de sa mère, pour prier Nostre Dame]. Le Grand Testament. [ca. 1461]. In Oeuvres completes de François Villon. Eds. Bernard de la Monnoie and M. Pierre Jannet. Paris: Lemerre, 1876. Wikisource.
  44. Witemeyer, Hugh. “Ruskin and the Signed Capital in Canto 45.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 4.1 (1975): 85-7.
  45. Zobi, Antonio. Storia civile della Toscana dal MDCCXXXVII al MDCCCXLVIII. Firenze: Molini 1850. Google Books.

 

DIGITAL RESOURCES

  1. “Azurite.” Pigments Through the Ages. webexhibits.org.
  2. “Calumny of Apelles.” Wikipedia.
  3. “Church of Santo Maria dei Miracoli.” Savevenice.org. 
  4. “Emmer.” Wikipedia.
  5. “Farro.” Wikipedia.
  6. “Ultramarine.” Pigments Through the Ages. Webexhibits.org.
  7. “Usury.” Catholic Encyclopedia.
  8. HomeOwners Alliance. “Leasehold v Freehold – what’s the difference?” hoa.org.uk.

 

ILLUSTRATIONS

  1. “Emmer wheat.” Doves Farm website.
  2. “Signed column.” Verona: San Zeno. Photo by A. Preda, 2016.
  3. Bellini, Giovanni. Dead Christ Supported by Angels. [Pietà]. Tempera on panel, ca. 1470-74. Rimini: Museo della Città. Wikimedia Commons. 
  4. Botticelli, Sandro. Calumny of Apelles. Tempera on panel, ca 1497. Florence: Uffizi Gallery. Wikimedia Commons. 
  5. De Predis, Ambrogio. Portrait of Maximilian I. Oak, 1502. Vienna: Kunsthistorisches Museum. Wikimedia Commons. 
  6. Della Francesca, Piero. Sigismondo Malatesta kneeling in front of St. Sigismund. Fresco, ca. 1450. Rimini: Tempio Malatestiano. 
  7. Di Pietro Guido (Fra Angelico.) Annunciation of Cortona. Tempera on panel, 1433-34. Cortona: Museo Diocesano. Wikimedia Commons. 
  8. Duccio, Agostino di. Angels. Rimini: Tempio Malatestiano.
  9. Duccio, Agostino di. Diana, goddess of the moon. Marble bas-relief. Tempio Malatestiano. 
  10. Lombardo, Pietro. Plinth. Marble, ca. 1484 Venice: Sta. Maria dei Miracoli. 
  11. Mantegna, Andrea. “The Court of Gonzaga.” Fresco, 1465-74. Mantua: Ducal Palace, Camera degli sposi. Web Gallery of Art. Wga.hu.
  12. Memling, Hans. “Salome.” [Detail of the left panel]. St. John Altarpiece. Oil on wood, 1474-9. Bruges: St. John Hospital. Wikimedia Commons. 
  13. Pollaiuolo, Antonio di. Portrait of a Young Lady. Oil on wood, ca. 1465. Berlin: Gemäldegallerie. Wikimedia Commons. 

 

 

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