A for canto 51 1



  1. Ardizzone, Louisa. “‘Al cor gentil’: A Notary in Search of Written Laws.” Modern Philology 97.4 (May 1997): 455-74.
  2. Bowlker, Charles. Bowlker’s Art of Angling. Greatly Enlarged and Improved; Containing Directions for Fly-Fishing, Trolling, Bottom Fishing, Making artificial Flies etc. etc. Ludlow, Procter & Jones, 1826. Google Books.
  3. Delaisi, Francis. “Nous n’avons plus de roi, mais nous avons des régents. Les vrais maîtres de la France siègent à la Banque de France.” VU 380 (26 June 1935): 837-39, 863. The Cantos Project.
  4. Demott, Robert. “Ezra Pound and Charles Bowlker: Note on Canto LI.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 1.2 (1972): 189-98.
  5. Gallup, Donald. Ezra Pound A Bibliography. Charlottesville: The University Press of Virginia, 1983.
  6. Guinizelli, Guido. “Al cor gentil rempaira sempre amore.” In Poeti italiani del Duecento. Ed. Gianfranco Contini. Milano-Napoli, Ricciardi, 1960. II: 460-4. Wikisource.
  7. Hesse, Eva, ed. Ezra Pound: Usura-Cantos XLV und LI. Texte, Entwürfe und Fragmente. Zürich: Arche Verlag, 1985. 
  8. Kindellan, Michael. “Texts of The Cantos and Theories of Literature.” The New Ezra Pound Studies. Ed. Mark Byron. Cambridge: Cambridge UP, 2019. 89.
  9. Liebregts, Peter. “Canto XXXVI.” In Ezra Pound and Neoplatonism. Madison: Fairleigh Dickinson UP, 2004. 203-223. 
  10. Pearlman, Daniel. D. The Barb of Time: On the Unity of Ezra Pound’s Cantos. Oxford: Oxford UP.  216-220.
  11. Pound, Ezra.  Guide to Kulchur. New York: New Directions, 1970.
  12. Pound, Ezra. “Canto XLV.” In The Cantos of Ezra Pound. New York: New Directions, 1998. 229-30.
  13. Pound, Ezra. “Cavalcanti.” In Literary Essays. Ed. T.S. Eliot. New York: New Directions, 1968.
  14. Pound, Ezra. “United States of Europe?” (Globe III.1 (November-December 1938): 42-44). In Ezra Pound’s Poetry and Prose Contributions to Periodicals. Eds. Lea Baechler, A. Walton Litz and James Longenbach. New York: Garland, 1990. VII: 393-4.
  15. Renan, Ernest. Averroès et l’averroïsme: essai historique. Paris: Calmann Lévy, 1882. Internet Archive.
  16. Wolff, Leon. In Flanders’s Fields. The 1917 Campaign. [1958]. London: Penguin, 1979. Google Books.



  1. “The War of the League of Cambrai.” Wikipedia.
  2. Alighieri, Dante. “Canto XVII; Canto XXIV.” The Divine Comedy: The Inferno. Translated by Allen Mandelbaum. Digital Dante.
  3. Preda, Roxana. The Online Companion to The Cantos of Ezra Pound. The Cantos Project. Companion. Cantos XXXVIXXXVIII; XLVXLVI.
  4. Sawyer, Richard. “The 12 Regents in Canto 51.” The Cantos Project, 2 April 2020.Free online.



  1. Blake, William. Geryon conveying Virgil and Dante to the Malebolge. Pen, ink and watercolour, 1824-7. Melbourne: National Gallery of Victoria.
  2. Bowlker, Charles. “Plate XXXI.” Frontispiece Illustration. In Bowlker’s Art of Angling. Greatly Enlarged and Improved; Containing Directions for Fly-Fishing, Trolling, Bottom Fishing, Making artificial Flies etc. etc. Ludlow, Procter & Jones, 1826. Google Books
  3. Doré, Gustave. “Geryon.” Engraving, 1857. In Dante Alighieri. The Divine Comedy: Inferno. Translated by H. M. Cary. New York: Cassell 1890.
  4. Kasambe, Raju. “Domestic Rooster.” Photo, 29 January 2019. Wikimedia Commons.


A Draft of XXX Cantos

ship4 for c1