ARTICLES IN COLLECTIONS

 

 

 

 

  1. Alexander, Michael. “On Rereading The Cantos.” The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 68-74.

  2. Bacigalupo, Massimo. “‘Safe With My Lynxes’: Pound’s Figure in the Carpet.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 111-120.

  3. Baumann, Walter. “‘Perennial War’ in The Cantos.” The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 75-84.

  4. Baumann, Walter. “Ezra Pound and Magic. Old World Tricks in a New World Poem.”  Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 27-42.

  5. Baumann, Walter. “The German-Speaking World in The Cantos.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 83-98.

  6. Baumann, Walter. “The Odysseus Theme in Ezra Pound’s Cantos.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 83-98.

  7. Baumann, Walter. “Yeats and Ireland in The Cantos.” Roses From the Steel Dust. Collected Essays on Ezra Pound. Orono: The National Poetry Foundation, 2000. 191-210.

  8. Bernstein, Charles. “History and Textuality in Ezra Pound’s Cantos.” Ezra Pound and History. Ed. Marianne Korn. Orono: NPF, 1985. 15-22.

  9. Blasing, Mutlu Konuk. "Pound's Soundtrack: 'Reading Cantos for What is on the Page.'" Lyric Poetry. The Pain and Pleasure of Words. Princeton: Princeton UP, 2007. 149-77.

  10. Brown, Dennis. “The Translation of History in the Early Cantos.” Ezra Pound and History. Ed. Marianne Korn. Orono: NPF, 1985. 53-62.

  11. Bush, Ronald. “The Later Cantos.” The Cambridge Companion to Ezra Pound. Ed. Ira Nadel. Cambridge: Cambridge UP, 1999. 109-38. Print.

  12. Dasenbrock, Reed Way. “Why the Commedia Is Not the Model for The Cantos and What Is.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 81-92.

  13. Dekker, George. “Myth and Metamorphosis: Two Aspects of Myth in The Cantos.New Approaches to Ezra Pound. Ed. E. Hesse. London: Faber, 1969. 280-302.

  14. Dekker, George. “Time and Tradition in The Cantos.” The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 90-105.

  15. Durant, Alan. ‘The Language of History in The Cantos.” Ezra Pound and History. Ed. Marianne Korn. Orono: NPF, 1985. 23-36. 

  16. Eastman, Andrew. “The Epic of Voice: History and Orality in The Cantos.” Ezra Pound and Referentiality. Ed. Hélène Aji. Paris: Presses de l'Université de Paris-Sorbonne, 2003. 59-68.

  17. Fowler, Rowena. “Ezra Pound’s Ragbag: The Cantos as Cento.” Cento-Texts in the Making: Aesthetics and Poetics of Cento-Techniques from Homer to Zong! Ed. Manuel Baumbach. Trier: WVT Wissenschaftlicher Verlag Trier, 2022. 21-40.

  18. Gildersleeve, Britton. “‘Enigma’ at the Heart of Paradise: Buddhism, Kuanon, and the Feminine Ideogram in The Cantos.”  Ezra Pound and China. Ed. Zhaoming Qian. Ann Arbor: U of Michigan Press, 2003. 193-212. 

  19. Grogan, Kristin.  “Listening to the Late Cantos.”  Sounding Modernism: Rhythm and Sonic Mediation in Modern Literature and Film. Edited by Julian Murphet, Helen Groth and Penelope Hone.  Edinburgh: Edinburgh UP, 2017. 164-178. Chapter summary.

  20. Halperen, Max. “How to Read a Canto.” The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 7-20.

  21. Hatlen, Burt. "Pound and/or Benjamin." Ezra Pound and Referentiality. Ed. Hélène Aji. Paris: Presses de l'Université de Paris-Sorbonne, 2003. 59-68.

  22. Juhasz, Suzanne. "Metaphor in The Cantos of Ezra Pound." Metaphor and the Poetry of Williams, Pound, and Stevens. Cranbury: Associated University Presses, 1974. 75-131.

  23. Kelly, Lionel. “Personal History in The Cantos.” Ezra Pound and History. Ed. Marianne Korn. Orono: NPF, 1985. 119-34.

  24. Kenner, H. Leucothea’s Bikini: Mimetic Homage The Merrill Studies in The Cantos. Ed. M. Hénault. Columbus, OH: Ch. Merrill Publishing Company, 1971. 21-31

  25. Kenner, Hugh. “Inventing Confucius.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 165-180.

  26. Makin, Peter. “History and Money, Fact and Hysteria.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 93-110.

  27. Makin, Peter. Ideogram, “Right Naming” and the Authoritarian Streak. Ezra Pound and China. Ed. Zhaoming Qian. Ann Arbor: U of Michigan Press, 2003. 120-142.

  28. Mancuso, Girolamo. “The Ideogrammic Method in The Cantos.” Ezra Pound’s Cantos. A Casebook. Ed. P. Makin. Oxford: Oxford UP, 2006. 65-80.

  29. Moody, David A. “The Cantos of Ezra Pound. ‘To Build Light.’” Platonism and the English Imagination. Ed. Anna Baldwin and Sarah Hutton. Cambridge: Cambridge UP, 1994. 308-18. Print.

  30. Perloff, Marjorie. 1981. “‘No Edges, No Convexities’: Ezra Pound and the Circle of Fragments.” The Poetics of Indeterminacy. Rimbaud to Cage. Evanston: Northwestern UP, 1999. 155-199.

  31. Pestell, Alex. "'INCORPORATE/& in One Body': Ezra Pound's Selected Cantos.” Selected Poems: From Modernism to Now. Eds. Hélène Aji and Jennifer Kilgore-Caradec. Newcastle upon Tyne: Cambridge Scholars, 2012. 41-52. Print.

  32. Rehder, Robert. "The End of the Cantos.” Ezra Pound, Ends and Beginnings: Essays and Poems. Eds. John Gery and William Pratt. New York: AMS, 2011.

  33. Rehder, Robert. The Cantos: Language of Sensation and Metaphors of Identity.  Ezra Pound, Language and Persona. (Quaderni Di Palazzo Serra 15). Eds. Massimo Bacigalupo and William Pratt. Genoa: Università degli Studi di Genova, 2008. 210-220. Print.

  34. Taylor, Richard Dean. “Reconstructing Ezra Pound’s Cantos: Variorum edition – Manuscript Archive – Reading Text.” Ezra Pound and America. Ed. J. Kaye. London: Macmillan, 1992. 132-148.

  35. Taylor, Richard. “Towards a Reading Text of The Cantos. Ezra Pound and Poetic Influence. Ed. Helen Dennis. Amsterdam: Rodopi, 2000. 200-211.

  36. Taylor, Richard D. “The History and State of the Texts.” A Poem Including History, The Text of The Cantos. Ed. Lawrence Rainey. Ann Arbor, MI: University of Michigan Press, 1997. 235-265. Revised in The Cambridge Companion to Ezra Pound. Ed. Ira Nadel. Cambridge, Cambridge UP, 1999. 161-187.

  37. Taylor, Richard D. “The Text of The Cantos.” The Cambridge Companion to Ezra Pound. Ed. Ira B. Nadel. Cambridge: Cambridge UP, 1999. 161-187.

  38. Taylor, Richard. “Towards A Textual Biography of The Cantos.” Modernist Writers and the Market Place. Ed. Warren Chernaik. London: Macmillan, 1996. 223-257.

  39. Ten Eyck, David. "Evaluating the Status of Ezra Pound's Selected Cantos. Selected Poems: From Modernism to Now. Eds. Hélène Aji and Jennifer Kilgore-Caradec. Newcastle upon Tyne: Cambridge Scholars, 2012. 23-40. Print.  

  40. Tryphonopoulos, Demetres. “Pound Reading Dante ‘Reading’ Homer: The Survival of the Palingenetic Tradition in Ezra Pound’s The Cantos.” Dante e Pound. Ed. Maria Luisa Ardizzone. Ravenna: Longo Editore, 1995. 87-100.

 

 

Cantos in periodicals

Three Cantos (Ur-Cantos)

lake garda 267823

 

 

 

 

A Draft of XXX Cantos

Eleven New Cantos

rsz guido cavalcanti

The Fifth Decad

rsz toscana siena3 tango7174

Cantos LII-LXXI

confucius adams 2

Cantos LXXII-LXXIII

Pisan Cantos LXXIV-LXXXIV

Rock Drill: LXXXV-XCV

Thrones XCVI-CIX

Drafts and Fragments