canto 2 1964



  1. Bacigalupo, Massimo. “Safe with My Lynxes.” Pound’s Figure in the Carpet.” Ezra Pound’s Cantos: A Casebook. Ed. Peter Makin. Oxford: Oxford UP, 2006. 111-119.
  2. Cookson, William. “Ezra Pound & Myth: A Reader’s Guide to Canto II.” Agenda 15.2-3 (1977): 87-92. Print.
  3. Davenport, Guy. “Ezra Pound’s Radiant Gists: A Reading of Cantos II and IV.” Wisconsin Studies in Contemporary Literature 3.2 (1962): 50-64. Print.
  4. Dodd, Elisabeth. “Metamorphosis and Vorticism in The Cantos: How to Read the Allusive Image.” Midwest Quarterly 29.4 (1988): [Canto II 425-37]. Print.
  5. Feder, Lilian. “Pound and Ovid.” Ezra Pound Among the Poets. Ed. George Bornstein. Chicago: U of Chicago P, 1985. 13-34. 
  6. Foster, John L. “Pound’s Revision of Cantos I-III.” Modern Philology 63.3 (1966): 236-245. Go to article.
  7. Gefin, Laszlo. “So-Shu and Picasso: Semiotic/Semantic Aspects of the Poundian Ideogram.” Papers on Language and Literature 28.2 (1992): 185-205. 201-202. 
  8. Gibson, Matthew. “‘No Room for the Root-Clutch’: Influence and Echoes from T. S. Eliot’s The Waste Land in Ezra Pound’s ‘Eighth Canto’ (1922) and Its Preliminary, Typescript Drafts.” Paideuma 43 (2016): 167-91.
  9. Glenn, E. M. “A Guide to Ezra Pound’s Cantos (I-IV).” The Analyst I (March 1953): 1-7.
  10. Glenn, E. M. “A Guide to Canto II of Ezra Pound (Revised and Enlarged).” The Analyst 18 (June 1960): 1-24.
  11. Hesse, Eva. “Books Behind the Cantos (Part One: Cantos I-XXX).” Paideuma: A Journal Devoted to Ezra Pound Scholarship 1 (1972): 137-51. Print.
  12. Hesse, Eva. “New Light on Old Problems: So Shu in Canto II/6, 9: An Identification.” Paideuma 7.1-2 (Spring and Fall 1978): 179-81.
  13. Hilmy, H. “Dionysian Metamorphosis: A Reading of Canto II.” Paideuma: A Journal Devoted to Ezra Pound Scholarship27.1 (1998): 93-108. Print.
  14. Kenner, Hugh. Pound and Homer. Ezra Pound Among the Poets. Ed. George Bornstein. Chicago: U of Chicago P, 1985. 1-12.
  15. Li, Victor. “The Rhetoric of Presence: Reading Pound’s Cantos I to III.” English Studies in Canada 14.3 (Sept. 1988): 296-309.
  16. Liebregts, Peter. “Canto II.” Readings in The Cantos. Ed. Richard Parker. Clemson: Clemson UP, 2018. 43-56.
  17. Miyake, Akiko. “The Greek-Egyptian Mysteries in Pound’s ‘The Little Review Calendar’ and in Cantos 1-7.” Paideuma: A Journal Devoted to Ezra Pound Scholarship 7 (1978): 73-111. Print.
  18. Shen, Fan A. “Yijing and Pound’s Cantos (1 & 2).” Paideuma: A Journal Devoted to Ezra Pound Scholarship 23.2-3 (1994): 45-70. Print. 



  1. Altieri Charles. “Modernist Abstraction and Pound’s First Cantos: The Ethos for a New Renaissance.” Painterly Abstraction in Modernist American Poetry. Cambridge: Cambridge UP, 2009. 283-320. Print.
  2. Altieri Charles. Painterly Abstraction in Modernist American Poetry. [Canto II 308-13]. 
  3. Bacigalupo, Massimo. “Annotazioni II.” Ezra Pound XXX Cantos. Parma: Ugo Guanda, 2012. 337-38.
  4. Blasing, Mutlu Konuk. American Poetry – The Rhetoric of Its Forms. New Haven: Yale UP, 1987. [Canto II 145-47]. 
  5. Brooker, Peter. “Canto II.” A Student’s Guide to the Selected Poems of Ezra Pound. London: Faber 1979. 240-44. 
  6. Childs, J. S. Modernist Form. Pound's Style in the Early Cantos. Susquehanna University Press. 1986. 43-50.
  7. Cookson, William. “IIDionysus.” In A Guide to The Cantos of Ezra Pound. London: Anvil, 2001. 6-8. 
  8. Davenport, Guy. “Metamorphosis.” Cities on Hills. A Study of I-XXX of Ezra Pound’s Cantos. Epping: Bowker, 1983. 111-20.
  9. De Rachewiltz, Mary and Maria Ardizzone. “Commento: II.” Ezra Pound I Cantos. A cura di Mary de Rachewiltz. [Bilingual English-Italian edition]. Milano: Mondadori, 1985. 1505.
  10. Dennis, Helen. A New Approach to the Poetry of Ezra Pound Through the Medieval Provençal Aspect. Lewiston: The Edwin Mellen Pres, 1996. 336-47.
  11. Froula, Christine. A Guide to Ezra Pound’s Selected Poems. New York: New Directions, 1983. 132-36. 
  12. Gelpi, Albert. [Canto II]. A Coherent Splendour. The American Poetic Renaissance 1910-1950. Cambridge: Cambridge UP, 1987. 190-95.
  13. Kayman, Martin. The Modernism of Ezra Pound. Houndmills, Basingstoke: Macmillan, 1986. 114-23.
  14. Kern, Robert. “Modernizing Orientalism/Orientalizing Modernism: Ezra Pound, Chinese Translation, and English-as-Chinese.” Orientalism, Modernism, and the American Poem. Cambridge: Cambridge UP, 1996. 155-220. [211-8]
  15. Moody, David. Ezra Pound Poet. II The Epic Years: 1921-1939. Oxford: Oxford UP, 2014. 11-17.
  16. Sicari, Stephen. Pound’s Epic Ambition. Dante and the Modern World. New York: SUNY Press, 1991. 21-24. 
  17. Sieburth, Richard. “Notes: Canto II.” Ezra Pound New Selected Poems and Translations. Ed. Richard Sieburth. New York: New Directions, 2010. 305-6.
  18. Terrell, Carroll F. Canto II. In A Companion to The Cantos of Ezra Pound. Berkeley: U of California P, 1993. 4-7.



  1. “Canto II.” A Canto a Day. Blog, 15 January 2009. Accessed 4 August 2018. Free online.
  2. Bressan, Eloisa. Canto II. In Il Vortice Greco-Provenzale nell’inferno de I Cantos. MA Thesis. U di Padova, 2012. 59-90. Free online.
  3. Guidi, Paolo. “Canto I.” The Cantos of Ezra Pound. Etching series. 9 September 2012. Accessed 4 August 2018. Free online
  4. Patton, Christopher. “An ‘allusion chart’ for Pound’s Canto II.” The Art of Compost, 24 May 2018. Free online.
  5. Sellar Gordon. Blogging Pound’s The Cantos: Canto II. Blog, 28 February 2012. Free online.
  6. Webster, Loren. “Loren’s Impression of Pound’s Canto II.” [In part, on Browning’s technique of “touch-and-go allusions” as an influence on Pound.] In a Dark Time ... The Eye Begins to See, May 20, 2003. Free online.
  7. Wilson, Robert Anton.  “Robert Anton Wilson commentary on The Cantos of Ezra Pound.” Robert Anton Wilson Online Library, 2003. Free online
  8. Zender, Hans. Canto II. Music for soprano, chorus and orchestra. 1968. YouTube. Hans Zender - Canto II and Hans Zender: Canto II (1969) 


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