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XIV – REFERENCES

 

 

 

 

WORKS CITED

  1. “Resolution 68,” Lambeth Conference 1920. “Lambeth Conference.” Wikipedia.
  2. Anderson, Charlie. “Irish Easter Rising Killer Takes Refuge in British Columbia.” Vancouver Sun 23 April 2016. Free online.
  3. Badian, E. “Gaius Verres.” Encyclopaedia Britannica. Free online.
  4. Brooker, Peter. “from Canto XIV.” A Student's Guide to the Selected Poems of Ezra Pound. London: Faber 1979. 259-63.
  5. Davenport Hines, Richard. “Basil Zaharoff.” Oxford Dictionary of National Biography.
  6. Eliot, T. S. The Poems of T. S. Eliot. Eds. Christopher Ricks and Jim McCue. Vol. I. London: Faber & Faber, 2015.
  7. Froula, Christine. “From Canto XIV.” A Guide to Ezra Pound's Selected Poems. New York: New Directions, 1983. 259-63.
  8. Grayzel, Susan. R. Women’s Identities at War: Gender, Motherhood, and Politics in Britain and France during the First World War. Chapel Hill and London: U of North Carolina Press, 1999.
  9. Hofer, Matthew. “Modernist Polemic: Ezra Pound v. “the perverters of language.” Modernism/modernity 9.3 (2002): 463-489.
  10. Kibble, Matthew. “Modernism and the Daily Mail.Literature & History 11:1 (Spring 2002), 62-80.
  11. Terrell, Carroll F.  “The Hell Cantos.” A Companion to The Cantos of Ezra Pound. Berkeley: California UP, 1996. 64-68.

 

ILLUSTRATIONS

  1. Guidi, Paolo. “Canto XIV.” Diamond point, lift and etched copperplate. 2012. Paulus Vidius Blog.
  2. Flemish School. Portrait of the young Jean Calvin. Oil on panel, 16th century. Bibliothèque publique et universitaire Genève. Wikimedia Commons.

 

 

The Fifth Decad

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Cantos LII - LXXI

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